Introduces students to pivotal eras in cinema history (both U.S. and international) as well as questions of historiography. Courses will engage with historical approaches to film industries, film texts, and/or film audiences. Topics may include courses such as: U.S. Film History 1897-1950; Hollywood Since 1950. May be repeated for credit.
|Arts and Humanities||1 course|
Spring Semester informationSeth Friedman
220A: Tps:Film History
Although the recent proliferation of new technologies greatly enhances our access to some moving image media, it also increasingly demonstrates that film history is vast and inexhaustible. In fact, one of the most notable consequences of the digital age is that it has become more challenging to keep up with many interesting happenings in global moving image media. No semester-long course in film history, therefore, could possibly encompass all of the significant developments in world cinema since the advent of the medium in the late nineteenth century. Rather than attempt to provide this inevitably inadequate encyclopedic overview, we will explore how the choices we make about what to study shape and are shaped by our conceptions of world cinema history. To accomplish this objective, this course will indeed cover some of the major trends in global cinema since its inception, concentrating primarily, but not exclusively, on narrative film in Hollywood and other commercial contexts. This focus, in conjunction with associated course assignments, discussions, readings, and screenings, will ultimately make us keenly aware of how emphasizing certain aspects of film history obscure alternative ways to comprehend the impact and story of arguably the most influential medium of the twentieth century and beyond.