This course is a socio-historical analysis of hip hop examining the conditions for the creation and continued existence of this genre of music. We approach it through theoretical frameworks such as Marxism and feminism, address questions such as how capitalism and the commodification of hip hop affect our society. In addition, how do artists conceptualize and present masculinity and femininity? Is it really okay to be a P.I.M.P., hustler, or player? Finally, what role does race and ethnicity have in hip hop music? Are white artists such as Eminem really appropriating the culture from minorities? Our intent is to discover how the socially constructed characteristics of race, class, and gender are addressed and conveyed in hip hop music.
|Social Sciences||1 course|