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Spring Awakening
Music by DUNCAN SHEIK
Book and Lyrics by STEVEN SATER
Based on the play by FRANK WEDEKIND

Directed by Dennis Sloan
Music direction by Orcenith Smith
Choreography by Marcus Hayes

Thursday–Saturday, October 2–4 at 7:30 p.m.
Sunday, October 5 at 3 p.m.
The Green Center for the Performing Arts, Moore Theatre

The winner of eight Tony Awards, including Best Musical, Spring Awakening explores the turbulent journey from adolescence to adulthood with raw honesty, passion, and unforgettable music. Set in a repressive 19th-century society, the musical follows a group of teenagers as they navigate self-discovery, sexuality, and the consequences of silence in a world that refuses to understand them.

On opening night, join us in The Great Hall for a reception with the cast and crew following the performance. After the Sunday matinee, stay for a talkback with the cast and creative team as they reflect on the production’s themes and challenges.

Content Warning: Mature themes, strong language, and depictions of sexual content, abuse, violence, and suicide.v

Tickets will be available two weeks before opening night online or at the Moore Theatre box office one hour before each performance.

Spring Awakening is presented through special arrangement with Music Theatre International (MTI).
All authorized performance materials are also supplied by MTI.
www.mtishows.com

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A Servant of Two Masters
By CARLO GOLDONI
Translated by EDWARD J. DENT
Adapted and Directed by Caroline Good

Thursday–Saturday, November 6–8 at 7:30 p.m.
Sunday, November 9 at 3 p.m.
The Green Center for the Performing Arts, Moore Theatre

In the tradition of commedia dell’arte, traveling acting troupes playing stock characters challenged social norms and politics in the guise of entertainment. In this classic comedy set in Venice, mayhem erupts when the clever—and perpetually hungry—servant Arlecchino concocts a wild plan to double his wages (and his meals) by serving two masters at once. Amid a tangle of lovers, misers, and schemers, mistaken identities, broken engagements, and drawn swords lead to an uproarious finale where all is finally set right.

Tickets will be available two weeks before opening night online or at the Moore Theatre box office one hour before each performance.

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Intimate Apparel
By LYNN NOTTAGE

Directed by Guest Director Kathryn Bentley

Thursday–Saturday, January 29–31 at 7:30 p.m.
Sunday, February 1 at 3 p.m.
The Green Center for the Performing Arts, Moore Theatre

In 1905 New York City, Esther, a Black seamstress, is in great demand for the intimate apparel she creates for clients ranging from wealthy white patrons to prostitutes. Though she fills others’ lives with beauty, she longs for love and a future of her own. Through a mutual acquaintance, she begins a correspondence with George, a lonesome Caribbean man working on the Panama Canal, and soon he persuades her to marry him sight unseen. Yet Esther’s heart is drawn to the Hasidic shopkeeper from whom she buys her cloth. When George finally arrives in New York, Esther must confront the truth of her choices and a future she could not have imagined.

Commissioned and first produced by South Coast Repertory and Center Stage.
Originally produced in New York by Roundabout Theatre Company, Todd Haimes, Artistic Director.

Intimate Apparel is presented by special arrangement with Broadway Licensing, LLC, servicing the Dramatists Play Service collection.

Tickets will be available two weeks before opening night online or at the Kerr Theatre box office one hour before each performance.

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DePauw Theatre Showcase
Directed by Sheri Novak

Thursday–Saturday, April 9–11 at 7:30 p.m.
Sunday, April 12 at 3 p.m.
The Green Center for the Performing Arts, Kerr Theatre

Experience an evening of performances presented by DePauw Theatre students, featuring a range of work developed during the academic year. This showcase highlights the creativity, collaboration, and talent emerging from across the program.

Tickets will be available two weeks before opening night online or at the Kerr Theatre box office one hour before each performance.