While refining students' general analytical and interpretive skills, this course offers intensive examination of specific issues in literature and culture, often those at the center of current critical interest. Recent sections have focused on The Gangster Film, Memoir and Sexuality, Quest for the Grail, and Native American Literature. Students may only count one ENG 255 that is a cross-listed Modern Language course toward the major or minor.
|Arts and Humanities||1 course|
Fall Semester informationHarry Brown
255A: Tps:American Gothic
We will walk down the shadowed pathways of American literature, exploring the perennially pleasing themes of degeneracy, secrecy, madness, murder, guilt, and the supernatural. We will survey a variety of dark-minded writers from the nineteenth and twentieth centuries, ranging from defining figures like Charles Brockden Brown, Nathaniel Hawthorne, Edgar Allan Poe, and William Faulkner to cult favorites like H. P. Lovecraft and Anne Rice. We will also read contemporary fiction by Mark Danielewski and Elizabeth Kostova. Beginning with the Marquis de Sade's analysis of the European gothic novel as a reaction to the horror of the French Revolution, we will, in turn, examine these American works as responses to historical traumas in the United States, as texts that are shaped by the shocks of revolution, religious heterodoxy, slavery, immigration, and the repression of women.
255B: Tps: Reading Earth: Poetry and the Environment
This sophomore writing class will explore the work of poets that connects us to the natural world. The course will ask the question: What is nature? And it will work from the assumption that humans fundamentally are creatures of the earth. Poets and writers we'll explore will include: Henry David Thoreau, John Muir, Muriel Rukeyser, Wendell Berry, Mary Oliver, Rick Bass, Maurice Manning, and Annie Finch.
255C: Tps:Translation of World Poetry
This class will cover English translations of poetry selections from around the world using bilingual texts when necessary. Our goals will be to appreciate poetry in a variety of languages, forms, and aesthetics and to deepen our understanding of cultures and histories other than our own. We will listen, when we can, to poems in their original languages. Our class will confront the problems and joys of translation. Where multiple English translations of the same poem are available, we will attempt to recast the poem or portions of it in our own English translations; in so doing, we come to appreciate translation as a creative art in its own right. Students will write reactions, essays, translations and contribute to a web page or blog on world poetry. Knowledge of a foreign language is not assumed.
255E: Tps:German/Jewish Lit
In this course, we will examine the rich and ongoing story of the encounter between German and Jewish culture, including its highest points, the so-called "German-Jewish symbiosis," its tragic catastrophes, and its improbable next chapter(s). We will investigate this story by reading literary (and, occasionally, other) texts of its key participants, including Lessing, Moses Mendelssohn, Heine, Kafka, Freud, Celan, and Arendt. We will begin with the literary announcement of the ideals of emancipation and assimilation in the Jewish Enlightenment; discuss the struggle for both acceptance and maintenance of a separate identity in the 19th century; examine older and newer forms of anti-Semitism, including narratives of Orientalism, race, and blood; attempt to understand the traumatic events of the Holocaust; and survey the complexities of the recent revival of Jewish life in Germany, including its at times tense relationship with Islam. Emphasis will be placed on vital aspects of contemporary Judaism which originated in a German-language context (such as the Reform movement and Zionism), as well as the profound influence of German-Jewish intellectuals on German and world culture.
255F: Tps: The Musical Quest on Film
In this course students will explore the content, form and meaning of the quest, one of the world's oldest and most geographically widespread storytelling forms. As the title suggests the course will focus on quest stories with a strong musical component, as told through the medium of film. Films will include both documentary and fictional films, and both original screenplays and adaptations. Students will write about and discuss films and will complete one major research paper.
255G: Tps: 19th Century Russian Literature
255H: Tps:Classica Africana
This course explores the ways in which modern literature of peoples of African descent engages with ancient Greek and Roman literature. It focuses upon how the oppositional art of Ralph Ellison's Invisible Man, Toni Morrison's Beloved, and Rita Doves' Mother Love riffs on such works of classical literature as Homer's Odyssey, Euripides' Medea and The Homeric Hymn to Demeter.
255K: Tps: New York Auteurs: Martin Scorcese and Spike Lee
Martin Scorsese and Spike Lee are both life-long New Yorkers, born and raised. Moreover, New York City often plays a title role in each director's aesthetic praxis and cinematic vision. Through the lens of auteur theory, this W-course examines the cinema of Martin Scorsese and Spike Lee. What is distinct about each director's style of filmmaking? How do race, gender, and ethnicity inform their creative vision(s) and cinematic praxis? What are the similarities and differences between their respective renderings of national belonging? Films we will explore include Taxi Driver, Raging Bull, Age of Innocence, She's Gotta Have It, Inside Man, and Do the Right Thing, to name a few.