Topics in fiction writing with particular concentration on specific forms or other aspects of the genre using readings as models and inspiration. This might include the novella or the short-short story or techniques such as magical realism, meta-fiction, minimalism, etc., depending on the instructor. Prerequisite: ENG 201.
|ENG 201||1 course|
Fall Semester informationThomas Chiarella
302A: Tps:Encyclopedia of the Future
Spring Semester informationAllison Lynn
302A: Fiction Writing: Topics: Turning Fact Into Fiction
In this fiction workshop, we'll use real life events as jumping-off points for richly imagined short stories. These events will include both incidents from your own life and moments from public history (recent public occurrences -- this year, even -- and/or more distant historical events). We'll use established stories that incorporate public and private histories as our models. Over the course of the semester you'll complete two full stories of your own, one of which you'll take through a thorough revision process.
Fall Semester informationGregory Schwipps
302A: Fiction Writing: Topics: Fictionalizing Life
While all fiction writers draw from real life experience when writing short stories and novels, what they create is not -- or should not be -- creative nonfiction merely labeled as fiction. This class examines the way writers turn life into art. Students will study fiction that draws heavily from the author's personal experience, like Tim O'Brien's The Things They Carried, fiction that uses a setting the author knows well, like Bonnie Jo Campbell's American Salvage, as well as fiction that relies on intimate conflict, to examine the link between real and imagined lives. Students will then write both creative nonfiction pieces and short stories that spring from their own lives.