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Upcoming Exhibits

2020 Juried exhibit image

Annual Juried Student Exhibition
January 30 – February 25, 2020
Peeler Art Center, Visual Arts Gallery

The Annual Juried Student Exhibition features works created by current DePauw students enrolled in studio art courses. The 2020 Exhibition is juried by David Anthony Ondrik. David Ondrik is an artist, educator, and writer. He received his BFA from the University of New Mexico in 1998. For ten years he taught visual art in public high schools and in 2009 he achieved a National Board Certification for Early Adolescent / Young Adult Visual Art Instruction. His artwork has been exhibited across the country, appears in numerous publications, and is in the collection of the New Mexico Museum of Art, the University of New Mexico Art Museum, and multiple New Mexico public art collections. He received his MFA in photography from Indiana University in 2017 and is currently a Lecturer in Photography at Indiana University.

2020 Faculty Exhibit

Faculty Exhibition
March 5 – April 12, 2020
Participating Faculty: To be announced soon!
Opening Reception: To be announced soon!
Peeler Art Center, Visual Arts Gallery

Every so often, we gather our studio faculty together for a joint exhibition showcasing their most recent works in their respective disciplines. Join us this spring as we celebrate current studio faculty and their ongoing work and research.

 2020 Senior Exhibit

Senior Exhibition
April 24 – May 17, 2020
Opening Reception: April 24, 5:00pm
Peeler Art Center, Visual Arts Gallery

An annual exhibition featuring the work of graduating senior studio art majors. Spring is when it all comes together for our graduating seniors in studio art. Join us as we celebrate their work and showcase their creations in the gallery.

Mediterranean Fire exhibit Mediterranean Fire exhibit

Mediterranean Fire exhibit Mediterranean Fire exhibit
Image credits from top left to bottom right: Dennis Revitzky, Tattooed Artist, 2009; Linda Adato, Under the Overpass, 2007; Mary Teichman, Trainspotting, 2015; Michael Di Cerbo, The Granite Island, 2015; all images available through the Syracuse University Art Collection

Society of American Graphic Artists, Print Exhibition
February 3 – June 10, 2020
Opening Reception: To be determined
Peeler Art Center, Upper Art Gallery

The Society of American Graphic Artists was founded in 1915 and called the Brooklyn Society of Etchers. It was started by printmakers with the goal of educating the public about printmaking as an art form. Some of the founding members were Ernest Roth, John Taylor Arms, Childe Hassam, and John Marin. The Council and members of SAGA continue the founding members’ mission through national exhibitions and print symposiums. SAGA today reflects the growth and changes taking place in printmaking.

This exhibition displays the prints of sixty-six SAGA members with a variety of statements and techniques that reflect their individual approaches to printmaking. All the prints in this exhibition were created in the twenty-first century and include traditional and contemporary approaches to printmaking. In their prints, our members continue to show a wide variety of imagery, mediums and mastery of techniques, demonstrating the highest standards of excellence. Our members continue to push the medium and contribute to the growth of printmaking.

 Mediterranean Fire exhibit
Sinan Hussein (Iraq)
Just a Concert
2018, acrylic on canvas

Mediterranean Fire, Mitli Mitlak (Like You, Like Me)
February 3 – June 9, 2020
Opening Reception: To be determined
Peeler Art Center, Lower Art Gallery

Mitli Mitlak (Like You, Like Me) is a culmination of curator Biba Sheikh’s collaborations with Mediterranean refugees, thirteen Arab-world artists have created a body of work that weaves her poetic texts, shared immigrant experiences, and their own testimonies into visual works of art. Collectively, they illuminate stories of indignation, systemic discouragement, human trafficking, gender biases, exodus, and survival of life as human flotsam in an ever changing, turbulent political ocean. Together with Sheikh, the artists are discussing Refugees, America, and Cultural Hybrid Theories.

The artists of Mitli Mitlak (Like You, Like Me) communicate through a variety of media delivering messages rich in thematic subjects. One theme that dominates the refugee experience, that of landscape arrives on canvas where architecture, political apparatuses and history are dismantled with the destructive revelry of a toddler. The theme of landscape is revisted by several participants with such concerns as the constant metamorphosis of social structure, moving boundaries between capitalism and culture, war, and the facets of the human psyche.

Sheikh spent years conducting ‘creative interventions’ with Syrian refugee youth detained on the Greek island of Mykonos and in Athens, and Beirut. Certain of the healing property of story telling, Sheikh has employed Hakawati (a traditional storytelling platform that engages the community in problem solving), dance, art, and sound to assist the youth in finding their own voice of liberation. The resulting script of Mitli Mitlak (Like You, Like Me) is a theatrical fusion of personal reflection melded with Arab flamenco rhythms and sound poetry which will be used in continuing workshops with youth refugees.

The artists of this exhibition, many of whom are current residents of occupied territories and refugee camps, include: Hani Alqam (Jordan), Thameur Mejri (Tunisia), Sinan Hussein (Iraq), Taghlib Oweis (Jordan), Wael Darweish (Egypt), Ahmed Nagy (Egypt), Klaudja Sulaj (Albania), Lucas Paleocrassas (Greece), Manal Kortam (Lebanon), Abbas Yousif (Bahrain), Basel Uraiqat (Jordan), Mohammed Al Hawajri (Palestine), Haitham Khatib (Syria), May Murad (Palestine), Hassan Meer (Oman). All have been given a voice through this Detroit based endeavor. in Mitli Mitlak (Like You, Like Me), we have witness to how their situations reverberate with refugees world-wide.